Tuesday, December 8, 2009

Hip Hop is Backyard




From the bedroom to the backyard and beyond - Hip Hop eKhayalitsha

It’s not very often that a charismatic, socially conscious hip hop crew from Khayalitsha takes a bunch of city slickers to their bedroom for a freestyle. But then, it’s not very often that city slickers go looking for inspiration in the townships.

When it comes to the meeting points of music, graphical and cultural boundaries, there is loads of talent in our own backyard, and when it comes down to it, the gates are generally open. But it’s the backpaths that need more people if the music industry is to make inroads in infrastructure and integration.

In its capacity as connector and co-ordinator, the non-profit Cape Music Industty Commission (Cape MIC : http://www.capemic.co.za/projects.htm) is keen to blend borders and expose artists to each other to facilitate cultural and professional exchange.

Talking shop in the backyard

Almost a year ago, the proactive and progressive Backyard Records manager, Marley Planga, approached and invited Cape MIC to meet the crew in Khayatlitsha. We discussed their history, portfolio, intentions and aspirations in the bus on the way to their hood.






Then, in a typically impulsive display of authentic, original Hip Hop that is tasty enough to test international standards of the genre, the Backyards Record Crew treated us to our own show in their bedroom ‘studio’. Getting up close and personal with their charisma, rhythm and rhyme in the very setting it was created in gave the content a tangible authenticity that only context can.


With a performance history extending from Voice Of Ekasi gigs in malls around Khayalistha to Black Dillinger Tour (Feat. Black Dillinger, MXO, Bongo Riot of Gangs Of Instrumentals) in Gugulethu and Kaizer Chiefs versus Man United at Mzoli’s the boys have proven their commitment to the cause of quality music in the motherland.

And we mean quality. These young men are HOT, passionate, dedicated, brotherly, socially conscious, cheeky and alive. They co-write, self-produce their beats and samples, and spin witty, wise tales about growing up in Gugulethu and Khayalitsha. By investing in stronger relationships, they believe that talent can flourish financially in the Western Cape.


Cape MIC’s focus is on helping them and other musicians, bands, managers, producers etc to make smart business decisions and protect and profit from their talents. Its efforts include a Business Development Centre for artists, workshops on the business of music, Intellectual Property protection, a music industry trade fair, talent exchange and a scoping project to map out the Western Cape music industry.

Backyard Collaborations

In September 2006, Cape MIC hosted the province’s first trade fair/ideas exchange. Engaging a range of professionals that feed into the marketing, promotions and communication strategy of local music, the expo put on a performance for the people who usually do the entertaining. Dressed in tables, chairs, flat screens and couches, the Assembly got up early to spend the morning as a lecture space, a meeting space, a showcase of the local design talent involved in branding and marketing music. Cape MIC facilitated a brand exchange between The Backyard Crew and VICE magazine, which meant the Crew came away with a professional photo shoot and VICE came away with cultural kudos that boosts their CSI.


The top note from our experience with the Crew is that our own backyard is teeming with fresh talent. The bottom line is that we want to hear and see more of Kideo's clever Xhosa wordplay, Phoenix's sharp street sense, Point2's provocative philosophies, Vannemerwe's twist and flow, Mashonisa's thick, tight wordplay.

Listen at http://www.backyardrecords.co.za/
learn at http://www.capemic.co.za/
face them on backbook






Monday, December 7, 2009

grace

a little more grace, please, or we're going to stop smiling ironically when we call you a rock star.

"And I feel them drown my name
So easy to know and forget with this kiss"


Grace. It's the title of Jeff Buckley's seminal album. It's the title of this post. It's an issue, everywhere, but specifically, it was an issue in some dim, smelly bars the last few nights. ok. They weren't smelly.

Picture this. Band plays. Bleeding fingertips, bleeding hearts; the usual. Band finishes. Gushing guy or gal goes up to bassist/drummer/guitarist/vocalist (usually the drummer. something about a mute sexiness?). What is s/he doing? Gushing. Obviously. ohmygodyou'reSOamazing and iwanttointroduceyoutomywife/husband/mother/dog and howdoyouDOthatmanit'samazing etc. Poor sweaty muso is a bit bewildered, wants a towel. Wants a drink. Especially if? it was a bad set.

What happened in my live summer soundtrack over the last few days was that two incredibly talented bands played my nights back to back under the gaze of a gushing full moon. For them, it was partly pain, with all sorts of technicalities and technical difficulties that come with being
a) in a band and
b) human.
Granted they were bummed. But imagine how much MORE bummed I was to have my honest and (obviously not so) humble mumbles given right back to me with the kind of swiftness that makes a car crash look tame.

Here's the thing. Music moves us. Sometimes to tears, and perhaps, at times, if we're making it or playing it, to within an inch of our own sanity. Music connects us, saints and sinners. Regardless of your understanding of your own talent and offerings or of others', if someone walks up to you and says something, they may actually mean it, and it might even mean something to you if you put it in your pocket and look at it a little later when your head/heart/ego clears. Positive input counts. Even IF we're so dim and ill educated that we don't know you fucked up verse three of the second song and the monitors weren't loud enough and we can't really do any better than adore you for helping us feel ourselves.

or would you rather we didn't?


are you serious? just for the experience?



Two bands, one song. It’s edgy, if you’re smooth. It’s hard, if you’re soft. It’s rock, if you’re pop.

Foto Na Dans has been silent for ages. They do that a lot, have you noticed? In between explosions of incredibly ornaMental magic (and my kittens fart a lot. Because they're Mental)

But now it’s summer, and we're smiling, even if we can’t afford it, and Foto have a new song. Well. half of a new song. Well, no, half of a chorus. And some riffs between beats.

It’s a collaboration which is aiming itself straight at the dans floor, and might well floor detractors of attractive commercial compositions. They'll frown, they'll tap their feet and nod their heads, bemused, because this is the beauty of music - it makes its own rules, and breaks them just as easily.

Here we were thinking Foto were the last of the puritans. Maybe they're the first of the finest to go, 'fuck it, we're going to make this work (financially)'. This collabotrack is, ipso facto, a fascinating contrast to their erstwhile EP, Pantomime Op Herwinbare Klanke, whose evolving narrative placed the band in the league of gentle men who make music for art cinema and theatre. Dans Republic, in addition to highlighting Foto's flexibility (i'm being diplomatic here; i'm a veteran Foto fan, a puritan; i'm bemused, my feet are tapping, my head is nodding), also points out (in comparison to Foto's other compositions) underlines the fact that dance music is really rather taught (in plaas van learned). For, verse/chorus/verse/chorus it goes, and much the same on a microlevel, too. op af op af. A clever chorus; quick and witty and easy. You’ll spend the beginning finding just where it moves from on glaise to dee taal. Don't think too hard - it’s all in the details. Not that I can quite trace Le Roi in them, and is it really Foto if all you've got is the biting grind of that guitar?. Can't say I think much of the derivative melodies. There are moments where it feels like a pastiche of recycled classic pop refrains and moments where that doesn't matter because it's a banging ballad. If they are subconscious cut & pastes, they blend well. Maybe I'm wrong, maybe the formula of easy sound is simply used so universally that after a while all dance songs sounds the same. Still, there are definite references to top forty hits from our t(w)eens...and

it’s edgy, if you’re smooth. It’s hard, if you’re soft. It’s rock, if you’re pop. But the bottom line is that it is a fine, bilingual, cross-genre fusion, and there aren’t many musicians who can mix the delightful simplicity of dance music with the darkness of cathedral rock without also making a mess. Instead, Flash Republic and Foto have made a summer club and compilation hit, and I’m sure TeeJay is taking notes. I'm proud of both bands for standing up and facing the music, but i'm not sure both parties have put their best foot forward or their foot in their mouth. And while i'll love dancing to it because it has a history and a future , I'm not necessarily going to buy it. Oh wait! they anticipated that. It's available free for download.

http://www.dansrepublic.co.za/page2.html

Boof boof boof boof.

Take the chance.

AfriDans.


p.s. there is a huge irony in the line 'ek wil sing in Afrikaans'. But i guess only Anglo-Saxon fan/atics of an Afrikaans language band will smile along with me on that one.

Sunday, December 6, 2009

Hinds Bros



prettier and finer than any jonas jock

In life, sometimes, you have to learn to listen to your gut.

I don't know these boys, but something's telling me I will. Very soon. Allow me to introduce you to the Hind's Brothers. Before I've met them myself.

They sound something like Kings of Leon getting stoned with Bon Iver on a lilo in a lake in summer... (slower Leon, chirpier Iver). They're the blood brothers of Watershed's Craig. They're from KZN, and they'll be in the Cape in the first fortnight of twenty ten.

Theyv'e got 2 tracks on myspace (heard of that?), and a Facebook fan page with... four fans. I'm one.

Be the next one.




Gigs / Jan 2010
SAT 2ND KNYSNA SWING CAFE, MAIN STREET 083 673 0909
SUN 3RD WILDERNESS ASANTE 084 588 1949
WED 6TH PLETTENBERG BAY SURF CAFE 072 355 8387
SUN 10TH MUIZEMBERG, ORGANIX ALIVE 021 788 6012
TUES 12TH KALK BAY, BRASS BELL 021 788 5455
WED 13TH NOORDHOEK, MONKEY VALLEY 021 789 1391
FRI 15TH DURBANVILLE, VILLA PASCAL 082 569 4149
SAT 16TH 18A TORQUAY AVE, CLAREMONT 082 4100 372
WED 20TH JEFFREY'S BAY , POTTERS PLACE 042 293 2500
THURS 21ST PORT ALFRED, THE SQUARE LOUNGE 072 704 1171
FRI 22ND EAST LONDON, THE ARTS THEATRE 082 968 7081
SAT 23RD MORGAN'S BAY, IAN CORR 043 8411066

indieground



tmi?

arb guy : blah blah blah, but it was, like, VERY underground, hey.

me : there aren't levels of underground, are there?

other : ask david bowie

arb guy : who?